AUTHOR'S DOSSIER

Gabriele
Micozzi

writer

I look for the exact point where a perfect system stops protecting and starts devouring: the office and the market, law and tradition, the retreating ice, the seed rendered sterile, the species cataloged as it fades away. I stand on the side of what the machine deems expendable — man, the living, the Earth. Form is the monster.

Profile

Gabriele Micozzi is an Italian writer, based between the Marche region and Rome. For over twenty-five years, he has navigated companies, boards, and business schools as a consultant and educator. From this observation of power and its languages comes a body of work that moves along four axes: the daily demons of systemic horror, where the horror is never supernatural but grows within perfectly functioning procedures, contracts, and algorithms; a civil, social, and ecological poetry; an experimental fiction that makes the form itself the monster; and an essayistic research on the concept of power. He has developed his own poetics, Literary Biodiversity.

«I didn't choose systemic horror: I found myself in it. Twenty years of meetings where I saw the word person empty out while the word KPI filled with everything. I started writing to understand where I had ended up — and to give a name back to what the system counted without seeing.»

The word — Literary Biodiversity

In a landscape that often separates commitment from form, and genre from literature, I work to hold them together. Horror is not a container: it is a lens. Poetry is not a refuge: it is a lockpick.

A single voice crosses many ecosystems — the corporate report and the elegy for the Earth — with the same question: what happens when a perfectly functioning structure encounters what it cannot optimize? Almost always, it destroys it. That is the side I write from.

This is my Literary Biodiversity: the plurality of languages as a stance.

Works & recognition

01 INTERNATIONAL RECOGNITION
  • Asymptote (International) — essay Literary Biodiversity, selected by editor-in-chief Lee Yew Leong for the 60th issue (Summer 2026, online July 23). asymptotejournal.com
  • Strange Horizons (UK/International, Hugo Award-recognized magazine) — The Beasts Who Try to Make Him Human, and Other Poems (accepted, 2026).
02 International publications
  • THE WRONG NOUNS (USA/UK/International) — Beyond Queer Words, Queer Anthology - 12th Edition - Poetry, Flash, Short Stories, Essays (forthcoming, February 2027).
  • Journal of Arts & Letters (O:JA&L) (USA/International) — The Office of Human Remaining. ojalart.com
  • Journal of Arts & Letters (O:JA&L) (USA/International) — Five Small Evidences from a Country Still Standing / Inventory of the Grandmothers... (accepted, 2026). ojalart.com
  • Open Doors Review (USA) — The Things We Leave at the Door (accepted, 2026).
  • Hare's Paw Literary Journal (USA) — Case Closed (forthcoming, July 2026).
  • Gotham Literature (USA) — Unsubscribe (forthcoming).
  • Bath Flash Fiction Award (UK) — Callism (shortlisted, top 20; forthcoming in the BFFA 2026 Anthology).
  • ONE ART (USA) — Thursday, Taxi from Linate; Small Lessons Not on the Slide. oneartpoetry.com
  • Cathexis Northwest Press (USA) — Thermometer for a Fever Called Human (published). cathexisnorthwestpress.com
  • Heavy Feather Review (USA) — Bonifica / Clearance.
  • BALLAST Journal (USA) — magazine invitation to develop a special project: Six Wastes, a standalone digital portfolio (from Chronicles from the Anthropocene), forthcoming.
  • Space and Time Magazine (USA) — Recoverable Loss, issue 151. amazon.it
  • HEXFILED (USA) — The Vessel, Issue 01. hexfiled.com
  • The Literary Hatchet / PearTree Press (USA) — Dermography, issue 41. amazon.it
  • intima (USA) — THREE NOTES. theintima.org
  • intima (USA) — Bread Was Too Full of Him; Breaking Bread. theintima.org
  • 3Elements Review (USA) — Step-Ball-Change.
  • parABnormal Magazine (USA) — three poems shortlisted, with an editorial endorsement by H. David Blalock.
  • Horror Sleaze Trash (USA/AUS) — Last Weekend; The Restroom on Platform Four.
  • Little Old Lady Comedy (USA) — HR satire. littleoldladycomedy.com
  • The Ecological Citizen (UK) — Rights of the Earth (from Chronicles from the Anthropocene), Vol. 9, no. 2. PDF
  • Dragon Soul Press (USA) — ten drabbles, The Fear Dealer Vol. 3 (contract signed; September 23, 2026). dragonsoulpress.com
  • Kaidankai (Japan) — Forty-Nine, audio. kaidankaistories.com
  • WILDsound / Novel Writing Festival (Canada) — The Mercy Protocol, interview and video reading.
03 Italian publications
  • Il Paradiso degli Orchi — Il Capofficina (published). paradisodegliorchi.com
  • Terranullius — Mettece 'sta faccia (published). terranullius.it
  • Rivista BLAM — Mutismo Selettivo. rivistablam.it
  • Risme — Il Piano (issue “L'oggetto mancante”).
  • Cohibeo — L'Aggiornamento. cohibeo.it
  • Il Foglio Letterario — Agendologia.
  • In fuga dalla bocciofila — The Substance. infugadallabocciofila.it
  • ProelioLab — Quieto. PDF
  • Nido di Gazza — Controtransfert.
  • Giulio Perrone Editore — 1982, short story in the anthology È come estate. giulioperroneditore.com
04 Volumes
  • IODIO — Deposizioni & Dannazioni (Transeuropa, 2027, forthcoming).
  • EROSFERICA — Incantesimi & Icone Pop (Transeuropa, 2026).
  • Peccati, Perversioni, Preghiere (AttraVerso, 2025).
  • Appunti dalla divina tragedia (GFE, 2026).
  • La legge del sì. Il metodo scientifico per costruire consenso e progettare relazioni di successo (FrancoAngeli, 2025). francoangeli.it

Editorial showcase

Books

Critical acclaim

“In over thirty years as a magazine, anthology, and novel editor, I have received very few pieces better written than this.”
— H. David Blalock, editor, parABnormal Magazine (USA)
“The Italian literary world needs poets like Gabriele Micozzi, capable of sinking the scalpel into the wounds of life.”
— Gordiano Lupi, literary critic
“We truly love this series and, if you're open to it, we would like to publish it as a special, standalone portfolio.”
— BALLAST Journal editorial team (USA), invitation to develop Six Wastes
“One of the most distinctive submissions we've considered: we admired its formal intelligence and irony.”
— Lee Yew Leong, editor-in-chief, Asymptote (on “ANNOTATION”, finalist for The Reverse Side feature)
“The concept is splendid and the development masterful: the piece transforms inbox anxiety into an existential and uncanny experience.”
— Daniel T. Wittenberg, publisher, Gotham Literature (USA), on “UNSUBSCRIBE”